The Pursuit of Rudimental Excellence
Some personal thoughts at the beginning of the 2011 season...
Paul Mosley

In the early evening, on each Friday of the Labour Day weekend,  growing  crowds gather on a street corner in Rochester, New York to see and hear something unusual... something uniquely excellent.

They come to see 4 minutes of ‘rudimental musicianship’ played by each of the ensembles competing at the DCA (Drum Corps Associates) Percussion Ensemble Championships.

The CADRE Drum Ensemble has been one of those groups.

There are commonalities as to why people are successful – in any field – whether it`s music, science or business.

In any endeavour, if a group of people assemble with one purpose in mind - that is, to do something excellent; something out-of-the-norm - they will be successful.

A common focus on success and attaining excellence - with zero tolerance for mistakes - are the defining components of any successful enterprise.

So, what’s special about these men and women who play marching drums?  Why does the audience respond so enthusiastically?

The people not only hear the drumming, they respond to a unique form of music-well-played.

They respond to ‘rudimental art’:  complex drumming constructions, various tempi, effective use of musical dynamics - all of which combine to produce subtle shades of emotion and excitement.

CADRE has competed against perennial favourites such as the New York Skyliners, Connecticut Legends, NYPD (New York Percussion Department), Syracuse Brigadiers, Renegades, Kilties and many more.

Each group brings their own best-interpretations of the rudimental art form, a unique approach and high degree of drumming excellence hoping to capture a DCA World Championship. We are impressed when we see and hear world-class drummers; CADRE understands and appreciates the different international aspects of rudimental excellence. CADRE has only total respect for all competitors. 

However, all rudimental drumming approaches are not necessarily the same.  For example, CADRE’s heritage and ‘upbringing’ encompasses both French and British drumming traditions. 

In addition, our overall methods may be slightly different.

Along with a common focus on excellence, there are some simple principles and tactics that have contributed to the CADRE Drum Ensemble’s success:

  • 100% acceptance and adherence to a musical ‘master score’.

  • Drummers understand where they fit within the musical arrangements.

  • Emphasis on playing various time signatures in time.

  • The approach to performance emphasizes the many shades of musical dynamics vs. playing ‘loud or soft’ – or a singular focus on just ‘playing clean’.

  • Development of visual effects that complement the music.

  • Development of warm-ups and exercises that build endurance and relate to the overall score.

These various elements combine to create that elusive ‘in-bar magic’ that comes from playing with care vs. playing ‘flat-out’. 

As a result, our drummers play with a musical enthusiasm that engages the audience.

Each year, we work hard to achieve a high level of rudimental precision and we’ve managed to win more than we’ve lost.  It’s also interesting to note that we’ve never fielded the exact same group of drummers in more than one year.

Our families, friends and fans – both old and new - provide ongoing love, support, appreciation and feedback for what we do.  

Thanks to all who continue to be a positive presence in our drumming lives.

 

Competitive Resumé

  • The CADRE Drum Ensemble has competed in Canada and the USA since 2003 as well as performed at hundreds of events.

  • The CADRE Drum Ensemble has won the DCA Percussion Ensemble Championship an unprecedented 5 times (2006 – 2010). 

  • The CADRE Drum Ensemble has also won the CADRE Shake I&E Percussion Ensemble Championship in 2007 (both rod drums + rope drums), 2008, 2009 and the APRDC (American Patriots Rudimental Drum Club) Rope Drum Duet championship, 2008.

 

 

 

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Comments or feedback: pete.mosley@gmail.com

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